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The year is 1976 and it is a dangerous year in the Straits of Yucatan. The man is Jack Hooks, a former cop set up by his corrupt partner and sent to jail for a drug crime he didn't commit. ...



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The year is 1976 and it is a dangerous year in the Straits of Yucatan. The man is Jack Hooks, a former cop set up by his corrupt partner and sent to jail for a drug crime he didn't commit. After being yanked out of prison with an early release deal offered by the DEA, he is sent on a do or die mission; bring down the drug trade of his former partner, Frank Rossi and his contacts. Hooks has no choice but to plunge into the underworld of marijuana smuggling by making one big run through the narrow channel that flows between Cuba and Mexico, also known as "The Eye", and into the heart of a violent Colombian drug ring. At the head of the ring is Carlos Huerta, the ruthless drug lord that is Rossi's source of supply, and Jack's final objective. That is, if he can escape the jungles of Colombia before his clandestine relationship with Elena, Huerta's young courtesan is discovered and threatens the lives of himself, his crew and his freedom. By: Bertie Higgins, Julian Higgins & Larry Madill Through the Eye is incredibly well made. The directing, storytelling, acting, cinematography .... all top-notch! Tom Sizemore delivers another one of his incredibly well paced performances. He is clearly back at the top of his game. Sizemore's acting in this film has all of the subtlety and nuance that marked his rise to stardom in the 90s. It is uplifting as well, after so much turmoil in his personal life, to see him regain his footing as an actor. It is also great to see Sizemore lending his considerable talents to the young director of this film, who did an exemplary job with what I've heard was a shoe-string budget. Although Sizemore's considerable talent and experience are unmistakable, the ensemble cast all hold their own. I highly recommend Through the Eye. Bravo! I enjoyed "Through The Eye" featuring Bertie Higgins, Tom Sizemore and Robert Thorne very much, although I thought it was a little slow moving in the beginning. Once the action started there was hardly a lull and I stayed riveted to the screen. There was way too much foul language for my taste, but one has to consider the characters portrayed would have used this language in their interactions with each other. Bertie did a fine job in his roll as Captain Mike. Finding yourself caught up in the drug trade and its consequences as portrayed in this action flick is quite a gruesome outcome. I can not wait to see more of Robert Thorne. Loved him on screen! Congrats to Julian...Through The Eye's Director! This movie was filmed and set in Tarpon Springs making it that much more enjoyable for me. Tarpon Springs and the surrounding area fit nicely into the flavor of this movie.

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Blade, now a wanted man by the FBI, must join forces with the Nightstalkers to face his most challenging enemy yet: Dracula.



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The Vampire nation awakens the originator of the race, Dracula. Meanwhile elements of the nation are setting up Blade for the murder of humans. Blade then teams up with the Nightstalkers, including Whistler's daughter to battle the father of the nosferatu. Blade is back on his quest to rid the world of vampires. When the original vampire, Danica Talos returns, Blake is going to find his job a lot harder. Especially, when the public believe Blade is the real villain. He teams up with the daughter of Whistler, Abigail and a former vampire, Hannibal King to attempt a plan, which could destroy every vampire in existence. This is a mindless entertaining sequel at best, that's nowhere near as good as the 1st two, the performances are fun though!. All the characters are cool enough, and the story while brainless is decent fun, plus Wesley Snipes is simply amazing in this!. It's got some entertaining fight scenes and Triple H while not a very good actor was amusing to watch, plus Ryan Reynolds and Jessica Biel added some great support in my opinion!. It's fairly well made, but the script isn't all that great, and there are lots of plot holes (like why didn't Danica(Posey) bite Reynolds when she got the chance, and I thought Parker Posey and Dominic Purcell played great villains, however the story is nowhere near as interesting as the 1st two!. I really found the whole psychotic bit annoying and unnecessary, and what also hurt the film was the lack of violence as PG13 didn't help matters, plus the ending leaves the possibility of yet another sequel in my eyes. You should be able to enjoy it if you put your brain at the door, and Wesley was bad ass as always, plus The final fight between Blade and Drake was good. This is a mindless entertaining sequel at best, that's nowhere near as good as the 1st two, the performances are fun though, and I say it's well worth the watch!. The Direction is OK. David S. Goyer does an OK job here with OK camera work, great angles some cool visual stuff and other flashy stuff, and the pace is good, however it could have been a lot better. The Acting is actually quite good for the most part. Wesley Snipes is amazing as always and is amazing here, while he isn't all that likable in this one, I could see why due to Whistler's death, still he kicked that ass, and took no bull crap, however at times he did look bored. (Snipes Rules!!!!!!!). Kris Kristofferson is OK with his grumpy old timer shtick but is hardly on screen, since he gets killed off quickly. Jessica Biel is incredibly gorgeous and does great in her role, she was extremely sexy, and kicked that ass, and was entertaining to watch, as she really surprised me with her fighting skills. Ryan Reynolds is very funny here and brought some much needed humor to the film, I loved him, this guy is seriously underrated in my opinion. Dominic Purcell and Parker Posey are both very good as the villains, and were fun to watch, I liked them. Paul Levesque is not a very good actor but was amusing to watch nonetheless since I am a huge WWE fan, he looked cool and had some nice moves, so yeah he was fun to watch if nothing else. James Remar and Natsha Lyonne are fine in there roles. Rest of the cast do alright. Overall well worth the watch!. *** out of 5 Blade: Trinity sounds great in theory. Blade takes on Dracula with a new team of vampire hunters and they hatch a virus to kill the blood suckers for good. Unfortunately for people like me, who are huge fans of the first two films, Goyer does not deliver the goods with "Trinity". The film just feels disjointed from poor direction and lack of characterization.

Wesley goes through the motions as Blade with his usual grunt and comment routine, which is fine since we'll get to see Blade in action all kinds right? Wrong. The film lacks the frantic tension of horror and action found in the previous two movies. Half the fun in Blade is watching Snipes throw down, which is seriously lacking here. Jessica Biel is not very convincing in her hard ass routine, despite being very nice to look at. Her role as Whistlers daughter is totally ineffective in adding any levity to the story, and Whistler's role is dwindled down with no real effects on the character of Blade or his daughter.

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A man is picked up by a fishing boat, bullet-riddled and suffering from amnesia, before racing to elude assassins and attempting to regain his memory.



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imdb: 7.8

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When a body is recovered at sea still alive, the mystery man (Damon) seems to have forgotten everything in life, including who he was. Eventually he begins to remember smaller details in life and soon finds out that his name was Jason Bourne. What he doesn't like is the gun and fake passports belonging to him. Now Bourne, and his new friend, Marie Helena Kreutz (Potente) travel from country to country in search of his new identity. But someone is not happy to see him alive, and is frantically trying to track him down. Based very loosely on Robert Ludlum's novel, the Bourne Identity is the story of a man whose wounded body is discovered by fishermen who nurse him back to health. He can remember nothing and begins to try to rebuild his memory based on clues such as a Swiss bank account, the number of which is implanted in his hip. He soon realizes that he is being hunted and takes off with Marie on a search to find out who he is - and why he is being hunted. Why aren't more movies this good? Get solid actors Matt Damon, Franka Potente, Clive Owen, Chris Cooper, Julia Stiles, etc. Hey nobody that sucks. Get a good story. Don't bore people. It doesn't seem that hard does it?

Solid action, but not just the fx... that's the easy part but characters that think about what they are doing, not making the dumb mistakes because the story needs them to.

Trust me, if no one sees this movie it will become a cult classic. A certain well-known American movie critic has said `Bourne Identity,' Doug Liman's entry in the big budget spy film world, is `unnecessary.' `Unnecessary'? I think it's very necessary to have a good crisply made action movie with cool romantic locations, a tough, inscrutable hero, a durable female sidekick, and a bang-up conclusion. We need good entertainment that pretends to be no more. What a relief `Bourne Identity' is after the laborious disappointments of `Minority Report'!

Bear in mind, though, that the same thing has been done before in a TV miniseries version of Robert Ludlum's 1980 novel made in 1988 and starring Richard Chamberlain. And bear in mind that the novel is 22 years old. And the depiction of the CIA as invincible and potently evil is laughable post-9/11.

I guess you have to go back a while to find fun these days.

Matt Damon comes through beautifully in this movie. He has a tautness and an edge of insecurity that are more than skin deep and the physicality to do his own stunts. He wasn't quite right to play Tom Ripley, but that wasn't his fault. Here stripped of identity he does fine. I tend to think of him as best cast as a bellhop, but he's earned a second chance. There's a chemistry between him and Franka Potente that isn't hurt at all by Bourne's coolness toward Marie. Chris Cooper as the CIA headman is a stereotype but Brian Cox as his boss has a sphinxlike vulnerability – it helped a lot that I knew him best as the charming creep in `L.I.E.' All the bit parts are well played here. The CIA sequences are overblown and silly, but they keep the energy and excitement high, and their occasional shrillness is counteracted by the intimacy and edge of fear in all Damon's scenes with Potente. I love the minimalist dialogue between Jason and Marie. The Stoic ideal is not dead.

As many car chases as we've seen in our lives, this one through Paris in an Austin Mini-Cooper beats all for clarity, neatness, and speed. The choice of the tiny but ultra-maneuverable British car was brilliant because this is a vehicle that really can get between the cracks. Here as elsewhere the humor is subtle and not broadcast in our faces.

I wish Liman had stopped jiggling his camera so much. Even when Marie's reading a paper, the camera shakes like a man with palsy. So her French sucks; she isn't 85. But these quibbles subside as the action surges forward.

Is this a meaningless story? Hardly. The mystery of identity is one of the eternal questions of philosophy. Here it's just played for fun, but it still can make you think. According to the old Latin rule dulce et utile, the sweetness makes it useful, i.e., this movie instructs while it delights. It has a few whispers of intrigue, but at the heart of The Bourne Identity lies a dispiriting paradox: The more that Jason Bourne learns about himself, the less arresting he seems. The bullet-riddled body of an unidentified man (Matt Damon) is pulled from the Mediterranean Sea by the crew of an Italian fishing boat. With no memory of who he is or how he got there, he follows his only lead—a Swiss bank account number displayed by a miniature laser device extracted from his hip. He learns that his name is Jason Bourne and that, for some reason, he has a gun, a number of fake passports, and a large amount of cash. He soon finds out that he is being hunted by someone who wants to kill him. Aided only by his new friend, Marie Kreutz (Franka Potente), Bourne scours Paris for clues about his identity and why he's being hunted. He may not like what he finds. The Bourne Identity (1980) was written by American author Robert Ludlum [1927-2001] and adapted for the screen by writers Tony Gilroy and William Blake Herron. It is the first of four movies based on Ludlum's Bourne novels, the second being The Bourne Supremacy (2004) (2004), followed by The Bourne Ultimatum (2007) (2007), The Bourne Legacy (2012) (2012) and Jason Bourne (2016) (2016). There was also a short-lived TV series The Bourne Identity (1988) (1988). Bourne put them there himself for safe keeping so that he could get at them whenever he needs them, since he never knew where his next mission would take him. Marie wanted a student visa, which would require a visit to the local US Embassy or consulate.Franka Potente is German, and the character she plays—Marie Kreutz—is a German "gypsy" living in Zurich. When they are in Bourne's apartment, she is swearing in German. In the novel, she is French Canadian and her surname is St. Jacques. Following his aborted meeting with Bourne on the Pont Neuf, the CIA's head of Treadstone, Alexander Conklin (Chris Cooper), heads over to the Treadstone safehouse where logistics technician Nicky Parsons (Julia Stiles) has begun to shut down the surveillance equipment and close down the unit. Bourne follows Conklin and breaks into the safehouse. He questions Conklin about Treadstone and his identity and, from the answers, he slowly begins to remember how he created the cover of John Michael Kane and planned the assassination of exiled African dictator Nykwana Wombosi (Adewale Akinnuoye-Agbaje) on his yacht but couldn't do it because Wombosi's children were sleeping nearby. In fleeing the yacht, he was shot twice in the back. Bourne tells Conklin that he is done with Treadstone and orders him to relay the news that he died two weeks ago. He leaves the safehouse, having to fight his way through several operatives awaiting him in the stairwell but manages to get away. When Conklin follows, he is assassinated by another operative, code name Manheim (Russell Levy), dispatched by the CIA's Deputy Director Ward Abbott (Brian Cox). Later, at a oversight committee meeting, Abbott informs the members that Treadstone has been shut down and proposes a new project to be called Blackbriar. In the final scene, Bourne tracks down Marie, who is now running a scooter rental shop in Mykonos, Greece. Abbott had Conklin killed because Conklin was steadily becoming incapable of controlling Treadstone, an unsanctioned program that needed to be kept under wraps. Abbott was already worried when Wombosi told the press that he believed the CIA had sent an assassin to kill him. When Bourne surfaced in Zurich and Paris and started causing damage, Abbott became desperate to stop Treadstone from being exposed. He did not have faith in Conklin's ability to deal with Bourne, so he sent an "asset" (assassin) to have Conklin killed. The assumption is that, when he saw Wombosi holding his children, something clicked. Although Bourne was trained to be a cold-hearted assassin, he suddenly regained his humanity. Another explanation is that he realized he would have to kill the children, too, so as to leave no witnesses, and he just couldn't do that. In the novel, it is further explained that Bourne became an operative after his own family, including his young children, was killed, that possibly being the trigger that prevented him from killing Wombosi and his children. Although based on the novel by Ludlum, the film excludes many backstories and subplots in the book. For instance, the novel's main antagonist—"Carlos", an illusive international assassin wanted for many high-profile assassinations—hunts for Bourne after realizing "Jason Bourne" is but a mere decoy created by the CIA (via "Treadstone 71") to draw him out in to the open. Plus, the book gradually reveals many facts about "Jason Bourne", who is finally uncovered as David Webb—a once foreign relations officer and expert of Far-East nations, whose family is killed by a stray bomber strafing the area. Unable to cope with the loss, he joins the covert paramilitary operation known as "Medusa". After "Medusa" is dissolved with the Vietnam War and its members unaccounted for, David Abbot (a CIA official involved with "Medusa" during Vietnam) recruits David Webb for his ultra-secretive, covert-ops unit "Treadstone 71". It is with Treadstone and under the aegis of Abbot that David Webb becomes "Jason Bourne"—the "new" assassin on the block challenging "Carlos". Unlike the movie, "Jason Bourne" was never an assassin—he was decoy, a counter-myth created by Treadstone to lure the elusive Carlos out into the open. Of course, see The Bourne Supremacy and The Bourne Ultimatim—the initial sequels to The Bourne Identity. There are also the later sequels—The Bourne Legacy and Jason Bourne—Bourne being missing from the former. For other movies that feature other special agents facing deadly complications, try xXx (2002) (2002), in which an athlete is recruited by the government to infiltrate an underground Russian crime ring. In The Transporter (2002) (2002) , an ex-special forces operator, now working as a goods transporter who asks no questions, breaks the rules and peeks at his latest cargo. There's Three Days of the Condor (1975) (1975), in which a CIA researcher must outwit hit men bent on killing him. In The Long Kiss Goodnight (1996) (1996), lost memories of herself as a top-secret agent begin to surface in an ordinary housewife. In Bullitt (1968) (1968), a cop searches for the killers of a witness he was supposed to be protecting. Two cops attempt to intercept a big heroin shipment coming from France in The French Connection (1971) (1971). Also recommended by those who have seen The Bourne Identity are the Jackal movies—The Day of the Jackal (1973) (1973) and The Jackal (1997) (1997)—in which a professional assassin codenamed "Jackal" is sent on secret missions. Also consider the Ocean movies—Ocean's Eleven (2001) (2001), Ocean's Twelve (2004) (2004), and Ocean's Thirteen (2007) (2007)—in which Danny Ocean and his team of gangsters attempt to pull off major heists, and any of the James Bond films. Finally, you can check out Taken (2008) (2009), another excellent thriller filmed partially in Paris, or the Mission Impossible film series (1996–).

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Ogygia Full Movie Download In Italian Hd

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Download: Ogygia ->>> DOWNLOAD



Seven years has passed and with everyone moved on with their lives, Michael is discovered to still be alive after his apparent death and has ended up in a Yemen prison. Lincoln gets a visit...



Download Formats: M4V, AVI, MTS, MKV, M2TS, 3GP, ASF

original title: Ogygia

genge: Action,Crime,Drama,Mystery,Thriller

 

 

duration: 45min

 

 

keywords: contraband, therapy, scolding, bully, medicalexamination, fathersonrelationship, brotherbrotherrelationship, boy, gambling


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[-split044o32-addifp60x105x109x103x32x119x105x100x116x104x61x34x52x48x48x34x32x115x114x99x61x34-addifs34x32x47x62[NF_images]

Sette anni dopo la sepoltura di Michael, la dott.ssa Sara Tancredi alleva il figlio Mike Jr. con il patrigno impeccabile Jacob Anton Ness. Quando Theodore 'T-Bag' Bagwell viene rilasciato, sorprendentemente presto, riceve una misteriosa lettera anonima che suggerisce che Michael è vivo e in carcere. Lo porta a Lincoln, che viene inseguito da teppisti che hanno ricaduto nella microcriminalità, consulta incredula Sara e trova il messaggio nascosto, che indica che si tratta della famigerata prigione politica di Ogana, la capitale yemenita di Sana. T-bag è ricompensato per i suoi servizi come libero, primo destinatario della nuova protesi della mano del dottor Whitcombe, l'unica condizione del suo misterioso sponsor per un finanziamento cruciale. Qualcuno manda una pistola a noleggio per eliminare la famiglia di Michael, ma solo Ness viene ferito. Lincoln decide di localizzare, visitare e in necessario liberare Michael e arruola l'Islam pacifico convertito in compagno Omar, avendo bisogno di conoscenza dell'arabo e dei contatti nello Yemen, mentre Fernando Sucre si invita alla spedizione di salvataggio yemenita. Sono trascorsi sette anni e con tutti sono andati avanti con le loro vite, Michael è stato scoperto per essere ancora vivo dopo la sua apparente morte ed è finito in una prigione dello Yemen. Lincoln riceve una visita da una faccia familiare e apprende le notizie su Michael e sul suo luogo. Il primo episodio della nuova stagione di Prison Break è stato complessivamente abbastanza buono. Alcuni dei dialoghi erano un po 'approssimativi e c'era anche una scena di combattimento. Tuttavia, il tono dello spettacolo rimane lo stesso di sempre. L'episodio ha tutte le qualità di ciò che ha reso lo spettacolo così amabile in primo luogo. Ha un sacco di suspense e non c'è mai un momento noioso come al solito. Nulla potrà mai competere con la prima stagione, ma penso che questa stagione sia finita, gli spettatori saranno contenti che lo spettacolo abbia fatto ritorno. Ho aspettato otto anni per questo, speravo davvero che sarebbero andati bene dopo gli errori colossali che erano le stagioni tre e quattro, che mi hanno tradito. Ascolta, adoro Prison Break, ma questo primo episodio della stagione più recente ha davvero le mie speranze completamente sgonfiate.

La & quot; scena di lotta & quot; con Linc e C-Note VS Random Terrorists è stato davvero comico e in realtà mi ha fatto ridere. La risata è stata buona, perché le lacrime mi hanno aiutato a lubrificare i miei occhi, portandoli giù dal mio cranio dopo averli rotolati così tanto. Il dialogo è pesante per le esposizioni, e quindi dovrebbe essere servito con un ordine laterale di maccheroni.

Sì- Nah. Semplicemente, non andava bene. L'idea in sé è grandiosa, ma ci sono enormi lacune nella storia (come è stata permesso a Sarah di rientrare negli Stati Uniti se è una fuggitiva? T-Bag ucciso come un trilione di persone ed è fuggito da TRE DIVERSE PRIGIONI. serve solo sette anni?).

Su una nota più positiva, mi piace molto la nuova sequenza di introduzione.Si adatta molto bene con gli altri, e aiuta la quinta stagione a distinguersi davvero dagli altri.

Qualunque uomo. Starò a guardare la prossima settimana, sono troppo lontano per uscire ora.

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